Chimera of a New World session two

42th Album

Release date2022-06-13

The artists and their instruments:

Chriss Russell, Synth, drone

Elisa Saveri, Voice

Gianluca Manfredonia, Drums

Henrik Meierkord, Cello, Viola

Jack Hertz, Synth, glitch

jarguna (Marco Billi), Modular synth, loop, sampler, drum machine, mix, master, graphycs

Nicola Serena, Modular synth

Paolo Alfani, Piano, synth

Frore (Paul Casper), Modular synth.

Rocco Saviano, Guitar and effects

Ryuzen (Alcvin Ramos), Shakuhachi flute

Umberto Rossi, Electric piano and effect

Uzbazur (Simone Santarsiero), Synth, drone

Unfortunately, as I foresaw at the beginning of the “pandemic”, the future from then on would be different, nebulous, uncertain, more and more intertwined with deception, on which side is the truth? looking inside a kaleidoscope maybe you can understand more where the real image is.

Chimera of a New World, session two is another beautiful meeting of heads, hands and many instruments, and above all fuck it at any cultural boundary, the music makes our strings vibrate indiscriminately where you come from, skin color, what you eat, you did Anyway, your poop is the same color as everyone else?

After this poem, I am extremely proud to present all the artists of this new sound meeting.

It is thanks to them that this album has taken shape and thickness, let’s say that I pulled the strings, I threw the bases, obviously did my part, mixed all the tracks and maybe given a personality a little … jarguna style, but all of us we have put a small or large part that has allowed us to build this fascinating puzzle full of many emotions.

The structure could recall the three volumes of Trapped, but the difference is that in this project the artists have intervened on several tracks, to their inspiration and empathy of the piece, while in Trapped each track was a story in itself, closed with each individual artist , let’s say jarguna VS…, while here the idea of ​​writing the tracks is completely open, and anyone could do what they wanted in each track.

Deeply electronic drafts, but not only, the synthetic and hypnotizing intertwining drags you into parallel, near, distant, superficial, deep worlds, where at times the percussion has a character of rituality, in others instead of more contemporary experimentation, accompanied by instruments acoustics such as guitar, cello, piano, drums, and finally the mystical and solitary Shakuhachi.

Each track accompanies you to experience intoxicating, conflicting, candid and twisted emotions.